Preservation in Progress: Historic Porch Restoration at the Harris-Cameron Mansion in Harrisburg, PA

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History of the Harris-Cameron Mansion in Harrisburg, PA

historic porch restoration, historic porch

 

In the early 1700′s, Harrisburg’s founder John Harris Sr. immigrated to the area from Yorkshire, England after receiving a land grant.  When he first arrived, Harris Sr. built a homestead on the bank of the Susquehanna River and established a trading post, and then a successful ferry business that would funnel much of the Scottish, irish, and German immigrants west for over fifty years.  Known for his fair dealings and good relationship with local Native Americans, Harris Sr.’s also facilitated successful relationships between new settlers and the local Native American population.

After Harris Sr. died in 1748, John Harris Jr. inherited the homestead and business and continued the family legacy of good relationships with local Native Americans – during the French and Indian War two notable “council fires” were held at the Harris home for talks between the Indian Nations, local governing officials, and British representatives.

historic porch restoration, historic porch

 

In 1766, after the French and Indian War ended, Harris Jr. decided it was time for a more substantial house for the family.  Tired of evacuating their current homestead whenever the river flooded, Harris Jr. chose the current site of the mansion after observing that even during the worst flooding, the river had never reached the top of the rise in the ground the mansion sits on.

Originally constructed in the Georgian style of architecture using locally quarried limestone, the house had a total of eight owners over the years and each made changes to the house.  In the early 1800′s a rear wing was added to the original mansion, and in 1863 the house underwent significant changes when Simon Cameron (seven-time U.S. Senator, President Lincoln’s first Secretary of War, and former Ambassador to Russia) purchased the house.

File:Smn Cameron-SecofWar.jpg

“Having made an offer of $8,000 for the Harris Mansion, Cameron left for Russia. He traveled throughout Europe and stopped in England, France, Italy, and the German states. While making his way to Russia, Cameron was shopping for furnishings for his new house. In the parlor are two 14-foot-tall (4.3 m) pier mirrors, as well as mirrors above the fireplaces that came from France. The fireplace mantles are hand-carved Italian marble, and the alcove window glass is from Bavaria.

Cameron disliked being politically isolated in Russia, so he returned to the United States and resigned the post in 1863. After finalizing the purchase of the house, Cameron set out to convert it to a grand Victorian mansion in the Italianate style. He hoped it would be suitably impressive to his business and political associates. Cameron added a solarium, walkway, butler’s pantry, and grand staircase. He also had the floor lowered three feet into the basement in the front section of the house, because the 11-foot ceilings in the parlor could not accommodate his new 14-foot mirrors.”

-Wikipedia entry on the Simon Cameron House

In the early 1900′s, Cameron’s grandson Richard Haldeman, the last of the Cameron family to live in the home, made more changes when he redecorated, modernized the mansion, and added the West Alcove to the house.  When he died, his sister donated the house and other family items to the  Historical Society of Dauphin County.

 

Historic Porch Restoration at the Harris-Cameron Mansion

In 2013, we were contracted to repair and restore the Victorian style porch.  The porch was in disrepair – the brick piers that supported the floor were falling apart, the corner of the roof system was completely rotted out, there was a vermin infestation underneath the porch that was compromising the structural stability of the porch.  In addition to the disrepair, there had been alterations to the style of the porch over the years and the Historical Society wanted the porch both repaired and returned to its original style.

The major contributing problem that needed to be addressed was that the spouting and gutters weren’t emptying water away from the porch because the porch had settled and moved.  There had been attempts to repair the porch to keep it from settling, but they didn’t last or weren’t correct repairs – at one point someone had actually strapped the porch to the stone house wall to try and keep it from sliding by putting metal gussets at the spots where the framing was coming apart and separating at the corners.  But no one had ever addressed the problems with the porch foundation which was causing the settling and moving.

For the project, we started with demolition – a very careful demolition.  There were a lot of important materials on the porch that we encased in plywood boxes to protect them during the demolition process.  The stone where George Washington stood in 1780…  An original sandstone step that was already cracked…  All the important elements of the porch were carefully protected to prevent any damage during the construction process.

After demolition, we addressed the foundation issues by pouring five concrete footers at each of the column locations since that is where the porch had been failing and where the roof was sagging.  There had been brick piers there that we rebuilt with a combining of the existing brick and salvaged brick we purchased to match, but there had never been a frost-line footer under the porch.

All of the existing trim, arches, columns, floor, and skirtboard that could be salvaged were brought back to our shop where we removed the lead paint, repaired the pieces where necessary, fabricated new pieces as needed to match existing pieces, and reassembled them.  We fabricated new columns and elliptical arches from mahogany wood to match the style of the existing columns and arches that were re-used.  Several columns still had the original trim that we could copy when turning all of the capitals and column pieces.

We were able to level and save the porch roof by putting a large, carrier beam on the front of it.  We also put all of the columns and capitals on metal pipes before we installed them so we could put the columns on without cutting them in half.

The flooring and ceiling also needed repaired and replaced at some spots.  The original wood was vertical fir, but using fir would have been tremendously costly.  Mahogany was chosen instead for its availability and its cost.  While mahogany would not have been used as an exterior wood when the porch was originally built, it is an acceptable replacement material in preservation standards and actually holds up better as an exterior wood than many original woods.

This project was a collaborative effort between Richard Gribble at Murphy & Dittenhafer Architects, McCoy Brothers, and the Historical Society of Dauphin County, and us.

Porches: History, Revival, and Preservation

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It’s June. Summer’s seasonal activities and fine weather beckon us outdoors. This, combined with renewed desire for calm, traditional, home-based activities (as well as some necessary lifestyle adjustments secondary to COVID-19), invite us to turn a more appreciative eye to an old friend: the porch. Or veranda. Or portico. Whatever the preferred moniker, porches are synonymous with nostalgia for Americana. But, their history and evolution stems from intercultural influence and practical necessity. They span cultures and time periods. They also act as a bridge between the inner sanctum and the outside world. Noted landscape architect and influential 19th-century tastemaker, Andrew Jackson Downing, had this to say about a porch.

“A house without a front porch is as insignificant as a book without a title page.”

Porches are so much more than makeup for the face of our homes. Read on to learn more about their history, revival, and preservation.


Porch we rebuilt at the former Iron Horse Inn

 

WHAT’S THE PURPOSE OF A PORCH?

Answering this question necessitates examining the history and evolution. According to The National Park Service’s Preservation Brief No. 45, “porch” comes from Medieval English, and the French word “porche,” which stems from the Latin “porticus.” The linguistic influences obviously betray cultural influences by their synonymous existence: if there’s a word for it in another language, that culture also probably has it. The cultural heritage of the American porch mimics that of its people; a veritable melting pot of style and language that evolved into something uniquely American. The Preservation Brief No. 45 provides a historical evolution of porches as well.

 

Early years. Porches often served a practical purpose, in terms of a protected entryway. They also served to define a distinctive style, denoting cultural associations as well as the wealth of their owners. Before the United States became independent, in the original 13 British colonies, porches mirrored British design, French colonies followed French design, Spanish colonies borrowed from Spanish design, etc. These influences continued after the establishment of the United States. At the same time, styles evolved to echo classical inspiration – the Greek Revival style often distinguished by elegant columns – which reached the height of popularity in the 1830s and 1840s.

 

Social and other roles. From the late 18th into the 19th century, inns, hotels, and resorts served as natural social-gathering places and by their very social nature demanded porches be included in their design. They also emphasized a property’s state of grandeur. Homeowners understood those social benefits, and also referenced practical porch-uses; they opportunistically enjoyed the fresh air and connection with nature that porches afforded. Andrew Jackson Downing (landscape designer, horticulturist, and writer) is often credited with the popularization of the front porch, due to his widely publicized assertion of the porch as an essential connection between one’s home and nature.

 

Golden Era. These general porch roles subsisted as the 19th century matured, although porches evolved further in terms of style and purpose. The industrialization of America allowed transport of materials via canal boat and train that previously were not accessible to some buyers. It also meant that total reliance on skilled craftsman (craftspeople = greater cost and longer time) was no longer necessary when manufactured and pre-fabricated mass-produced parts increased availability and affordability to a growing middle class. The role of the porch became so significant it acted essentially as an “outdoor parlor.”

 

The hygiene movement. This early twentieth century movement touted health benefits of fresh air to address or prevent diseases like tuberculosis. Sleep’s influence on health also meant that fresh-air while sleeping was revered, and sleeping porches surged in popularity. Screens were typically added to protect against disease-spreading insects. These provided the additional benefit of natural air conditioning on uncomfortably warm evenings.

 

Decline. By the mid-twentieth century, the pendulum of innovation swung in the opposite direction, as pendulums do. The effects of the automobile boom (meaning more opportunity to travel from home for entertainment), greater telephone ownership (meaning decreased need for in-person “calls”), and increased value placed on private back-yard parties (including back patios), and the advent of air conditioning and TVs collectively sounded the death knell for porches. Porches became obsolete, outdated, and even were considered pejoratively as unsophisticated or agrarian.

 

Resurgence. Luckily, porches are rising from the proverbial ashes, at least in terms of existence and popularity, if not actual use. According to Lynn Freehill-Maye, some of the Baby Boomer generation initiated focus back on porches over 30 years ago, due to nostalgia and a push toward the New Urbanism movement, to increase a sense of community. In recent years, new builds have often included porches, and more movements have arisen encouraging actual use of front porches. 

 

HOW CAN I PRESERVE AND MAINTAIN MY PORCH?

We know regular readers of our blog are already preservation-minded. However, we can’t assume that if you’re reading this you fall in that category, so we’ll take the risk of “preaching to the choir.” In that vein, we must stress that porch maintenance is essential the same way that interior housekeeping is essential. The porch serves as protection for the front of your home, as much as it affords the previously-mentioned benefits. Therefore, it requires regular maintenance. 

 

Regular maintenance. The National Park Service’s Preservation Brief No. 45 recommends basic housekeeping such as sweeping frequently and mopping occasionally. These should be employed in lieu of hosing with water (for wooden porches or wooden porch accents) to prevent saturation and promotion of rot. Plants should not grow directly on the porch due to their encouraging moisture (and consequently insects and rot, both of which lead to open wood joints), but can be near the porch on free-standing trellises. Mats, rugs, and potted plants also trap moisture and condensation and should be avoided or moved frequently. In the winter, ice melters such as sand or litter are abrasive and should be swept away as soon as possible. Salt is not recommended due to its corrosive consequences, and magnesium chloride is considered a more appropriate substitute as it is less corrosive. Relatedly, only rubber-edged or plastic shovels should be used for ice and snow on wooden porches. 

 

Involved maintenance, repair, and replacement. The National Park Service’s Preservation Brief No. 45 provides an extensive overview of the more involved steps for maintaining and repairing (or even replacing) porches and their parts. The 2001 publication on porches by the City of Lancaster, Pennsylvania, also highlights the main tasks for maintaining and preserving your historic porch. Keeping wooden porches painted is not only visually appropriate for maintaining the historic fabric, but also acts as a preservative measure. Replacement, when necessary, should be in-kind. If rebuilding something, only rebuild if its historical existence can be documented. Porch enclosures should maintain visual qualities of an open porch, and should not be on porches that are at the front of the building. If new porches are added, they should preferably be added only to the side or rear of a building.

 

If you have a porch and you don’t already love it, hopefully this post will inspire you to consider the benefits you’ve been missing out on all along and start enjoying your “outdoor parlor.” 

 

For further resources and reading:

Porches, Doors, and Historic Preservation

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At first glance, porches and doors may seem like no more than a way to get in or out of a home or business.   But there is much more to these architectural gateways.  They are frequently exemplary examples of carpentry that give us a peek into the artisanship of our architectural history and have a quality of craftsmanship difficult, but not impossible with the right skills and knowledge, to reproduce today.

The entrance of a house often defines its architectural identity more than any other element.  This is particularly true on the facades of Colonial townhouses (sometimes referred to as row houses), where the flat facades can easily run into each other.

In Colonial and early-American porches and doorways, elements of several different architectural styles can be seen.

  • The Post-Medieval English Style (1600-1700) can be seen in transom lites and drop finials (those that project downward).
  • Dutch influences show up in elevated wooden stoops, eaves, and slender turned columns with square bases.
  • The French tendencies find there way into our entrance architecture with raised paneled doors and arched brick lintels.
  • Our very own early Colonial entrances are more pragmatic – with simple triangle pediments and smaller porch platforms.
  • Late Colonial entrances became more expansive and decorative – with curved brackets, keystones, and decorative sunbursts above the doors, as the Georgian and Federal styles made their way to center stage.

When evaluating the significance of your historic porch, there are two important questions to ask:

What did your entranceway look like originally?

More often than not, changes were made to your porch that may not reflect the original architecture of your house.  You can consult with a contractor that specializes in historic architecture to evaluate any necessary restoration work.  Early photographs, insurance maps, tax records, documents at historical societies or libraries, house histories, and physical evidence can all be used to make a determination of what the porch would have been originally.

What historical evolution has your porch or doorway experienced?

There is a great debate in the preservation world – is it more important to preserve the original architecture of a building or to honor the architectural evolution it experienced over the years?  This is not an easy question (and in cases of historic sites it is often tied to the period of historical relevance) and it is up to you, as steward of your building, to determine what you think is the right answer.  Determining what architectural evolutions your entranceway has experienced may help you decide which preservation approach is important to you. 

Exploring the answers to these two questions will help you define which architectural features make up the character of your entranceway, how it contributes to the overall architectural fabric of your historic building, and which period of architecture you want to preserve.

Keep in mind that if you live in a historic district any changes to the exterior of your house must first have approval from your local historic commission (often if you are not making changes or you are just repairing/maintaining this can be done at the staff level without a hearing).

 

Preservation of Historic Porches

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There are a variety of tasks that can be done on a regular basis to extend the life of a porch. In addition, a visual inspection of the porch should be made every spring and fall to determine if more in-depth repairs are necessary. Fortunately, ongoing maintenance significantly reduces both the need and cost for later repair work and represents good preservation practice. When properly maintained, a well-constructed porch can last for decades.

Routine Cleaning and Other Surface Work

Since many porches are essentially another living space, extending housekeeping to this space makes practical sense. Regular maintenance includes sweeping the wood porch decking, and, if needed, an occasional damp mopping. Removing dirt and leaves by sweeping is preferable to frequent hosing off the deck with water. The latter can saturate the woodwork, thereby promoting decay. Frequent sweeping will reduce the accumulation of abrasive materials, such as dirt and sand. While visually pleasing to some, vines and plants should be kept trimmed away and not be trained to grow onto or allowed to grow beneath porches. Plants and vines unfortunately reduce ventilation, promote a moist environment for insects and decay, accelerate open wood joints and impede cyclical maintenance. As an alternative, traditional freestanding trellises can be used to support plant growth away from the porch.

There are certain precautions that are recommended for wood floors. Rubber mats, rugs or indoor/outdoor carpeting can trap moisture and condensation on their underneath side and should not be used on a wooden porch floor. Keeping flower pots up off the wooden deck will help prevent moisture buildup and decayed spots – wood, clay or metal “trivets” that hold the pots an inch or more off the wooden deck are helpful, but the pots should be moved to different locations periodically. In colder climates, light snow can be swept off the porch. Snow shovels with a hard rubber leading edge or plastic shovels cause less damage to wood than metal, while paint in good condition helps ice to release more easily. Sand or clean kitty litter can be sprinkled on ice to prevent slipping; however, they should be later swept off the porch, as they are abrasive. Salt (sodium chloride) is not recommended for ice removal on older porches as it can promote corrosion and failure of nails and other fasteners. Magnesium chloride is an alternate de-icing salt that is less corrosive and less damaging to masonry and plants. If any de-icing salt is used, be sure to scrub and rinse off the porch deck in the spring. Boot scrapers and brush-mats at the bottom of the stairs are recommended for muddy areas.

Painting

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Decay can start when wood is left exposed to the weather or where joints open up. An inexpensive way to extend the life of the existing porch paint without jeopardizing the historic material is spot paint and caulk where needed every year or two. This cost-effective procedure is particularly effective in maintaining wood porches where the exposure to weathering is high. Photo: John Leeke.

Spot painting and resealing of open joints should be undertaken at least every other year. Heavily used stair treads may require more frequent paint touchup. When peeling paint or bare wood is evident, inspect to ensure it is not signaling deeper problems, such as decay. With sound wood, scrape off the loose paint, sand, prime, and repaint the area. Where lead paint is present, appropriate lead hazard precautions and procedures apply. Only top-quality exterior primers and paints are recommended, selecting for the deck and stairs specially formulated paints. Where wood porch steps are exposed to moisture, grit added to the wet paint during application will help improve safety.

Repair

Many repairs may be successfully undertaken by property owners, while major projects often require the special knowledge and equipment of an experienced contractor. Repairs generally include patching and reinforcement of historic materials. The roof and foundation are particularly important to the preservation and the structure of a historic porch yet they often receive much less attention than ornamental features. Their neglect will usually lead to more costly work. Repairs to features such as a balustrade or flooring can encompass limited replacement in kind when the porch part is severely deteriorated or when a part of a repeated feature is missing altogether. Some common porch repairs are discussed in this section.

Filling Open Cracks or Joints

To seal open cracks or joints, start by scraping off the paint back a few inches from the opening and removing old caulk to expose bare wood. The opening should be examined for any signs of wood decay, and to determine if the joint is loose due to a loss of connection, such as rusted nails. After correcting any problems, apply a water-repellant wood preservative that can be painted. Such preservatives are either an oil-based or waterborne solution of oils or waxes with mildewcide, fungicide and pesticide added. Then apply a high quality exterior wood primer to the wood surfaces where a sealant or caulk is to be used. Most open cracks or joints then can be filled with a sealant or caulk, while larger ones may need the addition of a backer rod. In some cases, small metal flashing over the crack or open joint may be more effective and longer lasting but, when used, care should be taken with proper installation. The final step is painting.

Patching with a Dutchman Repair

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The ends of porch roof rafters are often susceptible to moisture decay. When concealed by a soffit or ceiling, rafters can be repaired by adding new sister boards. Where roof rafter ends are exposed, splicing new wood onto the old (dutchman repair) and use of epoxy consolidants and fillers both preserve sound historic fabric while retaining the historic appearance. Photo: Paul Marlowe, Marlowe Restorations.

This traditional technique is often used to repair localized cases of decayed wood and, when undertaken with skill and care, will serve as a permanent repair. If the damaged area has a structural function, temporary bracing or other support will be necessary. Otherwise the first step after removing any paint around the damaged area is to chisel or mechanically remove the decayed wood. It is best to use the same type of wood being replaced and the new or recycled wood should be seasoned to avoid shrinkage. The repair procedure involves cutting a piece of wood, called a dutchman, slightly larger than the area of damage that has been cut out. The dutchman then is laid over the damaged area and an outline scribed into the original wood surface below. Next, a chisel or router is used to follow the scribed line to form an opening in the existing wood for the new piece. As a preventive measure, an appropriate fungicide should be applied to the surrounding old wood and allowed to dry. The dutchman is then glued into place with waterproof adhesive, such as an epoxy formulated for wood. The repair is finished by trimming or sanding the surface of the new wood down flush with the surrounding existing surfaces, priming and painting.

 

Patching with Epoxy or Wood Fillers

There are a variety of commercial wood fillers. Cellulose based fillers consist of wood fiber and a binder and have been available in stores for many years. Only those suitable for exterior applications should be used and they will require a protective finish. Epoxies are a more contemporary product, commonly used by experienced contractors and woodworkers. Epoxies are petroleum-based resins created by mixing two components in accurate proportions that result in a chemical reaction. The result is durable, moisture-resistant consolidants and fillers that bonds tenaciously with wood, and can be sawn, nailed or sanded. Epoxies are for use only in areas that will be painted, as they do not take stain and deteriorate under sunlight. Since epoxies are more difficult to work with than other wood fillers, experience working with epoxies is needed for successful repairs.

Repairing Railings and Balustrades

Balustrades and railings are not only practical and safety features, they typically are highly visible decorative elements. Unfortunately, balustrades and balusters are frequently altered, covered, removed or completely replaced even though in most cases they can be repaired in a cost-effective manner. To preserve historic fabric, the repair of old balustrades and railings is always the preferred approach. A broken baluster usually is one in need of repair, not replacement.

Loose railings and balustrades present unsafe conditions and need to be repaired as soon as possible. Start by examining the points of attachment to determine exactly why the railing or balustrade is loose. Common reasons include rusted fasteners, decayed wood, or physical stress that has broken the fasteners or split the wood. Paint and decayed wood must be removed. Where fasteners are broken yet the wood is sound, the balustrade can be re-fastened using hot-dipped galvanized or stainless steel nails or screws, setting the heads of the fasteners below the surface of the wood and using a wood filler to cover and seal. Next repair deteriorated wood by using a dutchman or wood-epoxy repair. The repaired joints then can be sealed and painted.

Replacing Missing Balusters

The balusters help comprise a wood balustrade and come in three general styles: simple rectangular shape; flat, pattern-sawn (usually a board with some decorative edge or cutout); and turned. It may be necessary to replace certain balusters that are beyond repair or missing altogether. Some are easy to replace with new matching balusters while others can be more challenging in terms of both design and costs. Finding or affording replacement balusters may take time since they should match the historic baluster as closely as possible. In the meantime, unsafe balustrades can be temporarily stabilized, introducing temporary new material that soon will be replaced.

In replacing individual balusters, simple, rectangular balusters should not be replaced with pattern-sawn or turned ones unless physical or pictorial evidence survives which indicate they previously existed historically on that particular porch. Such an alteration can change the historic appearance of the porch or be incompatible with the character of the building.

Determine the size and shape of the missing balusters either by examining adjacent ones or temporarily removing an existing baluster as a sample. Heavy paint buildup should be removed so that the original dimension can be established. Scrape and clean the joint locations and make repairs to any deteriorated areas. A new baluster is then fabricated to match the original in design and material, either on site or by taking a drawing or sample to a local woodworking shop. The new baluster should be made one-half inch longer than needed on both ends. Measurements are taken from the bottom surface of the top rail to top surface of the bottom rail. Joints on the new baluster can be laid out with a pencil, using a sliding bevel to transfer any angles, and the new baluster trimmed to fit with a handsaw. After test fitting, the ends and any exposed end-grain of the baluster need to be sealed with a high-grade primer or epoxy. Next, apply a paintable water-repellant coating to all exposed wood surfaces, and apply a primer. The baluster can then be fastened in place with hot-dipped galvanized or stainless steel nails, and the nails set. Finally, seal joints and fastener holes and paint the baluster.

Repairing Column Plinths and Bases

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This nineteenth century porch column is made of wood staves, similar to the way a wood barrel is put together. After replacing the torus and making dutchman repairs to the apophyge along the base, the column and pedestal are ready to be reinstalled on the porch. Photos: NPS files.

Columns not only enrich the historic character of the porch, they provide support for the roof structure above. Because of their detail and complex construction they can be costly to repair or replace, making maintenance and minor repairs important. Column plinths and bases tend to deteriorate because of their exposed location on the outer edge of a porch. Leaking gutters can result in water draining into the entablature and down into hollow columns, while clogged or capped gutters can allow water to pour down and splash back onto the column bases. Open joints and limited wood decay can be repaired using methods previously discussed. Column repairs usually are undertaken by an experienced carpenter, since it may involve structural support of the roof above.

Repairing Floorboards and Ceiling Boards

Floors should slope down toward the outer porch edge for proper drainage. If drainage is inadequate, moisture buildup will cause deterioration of the floorboards. Flooring can also deteriorate due to movement in the supporting structure below. If a floorboard is soft or broken, the extent of decayed or split wood can be determined by probing gently with an awl. The existing floorboard can then be removed, cutting the length if needed so that the end will center on the next nearest joist or girder. Once the board has been removed, the structural framing beneath should be examined for deterioration and to ensure it is sound. A new floorboard is then cut to length, and the outer edge shaped to match the adjacent boards. After priming the replacement board, nail it in place and repaint.

If a section of the ceiling is deteriorating, it is likely that there is a roof or gutter problem. To determine the cause of deterioration, inspect the ceiling, gutters and roof, including the internal roof structure. After making necessary repairs, the ceiling boards can be repaired in much the same manner as a deteriorated floorboard.

Repairing the Porch Roof and Gutters

With roof leaks, the entire porch is at risk. Leaks can promote decay in roof rafters, ceiling joists, and columns as well as in areas more easily to detect such as the ceiling and fascia. Inspect the roof covering, gutters and flashing for deterioration and improper performance. They can then be repaired or replaced, as needed, to keep water out of the structure. Avoid having the gutters and downspouts on the main roof drain onto a porch roof.

Repairing the Foundation

Unstable foundation supports can cause serious damage to a historic porch. There are numerous causes and solutions. If the posts supporting the porch deck rest on stones or brick set directly on the ground, there can be seasonal shifts due to the changing moisture content of the soil or freeze/thaw conditions that will require regular attention. Under certain conditions, it may be advisable to extend footings for the posts below the frost line. Where moisture problems exist, improved drainage may be necessary. It is not uncommon to find that masonry joints in the foundation wall or piers have deteriorated as a result of rising damp, where moisture from the soil percolates up through mortar joints. This condition may lead to the eventual breakdown of the mortar and even old brick and soft stone. In such cases, it will be necessary to replace the areas of damaged masonry and repoint the mortar joints.

With wooden posts, insect damage or rot may necessitate corrective measures to strengthen the foundation. Techniques can include one or more of the following: epoxy consolidation; dutchman repair; or the addition of supplemental supports to the foundation posts and joists. In some cases damage may be extensive enough that the only real solution is rebuilding the foundation.

Repairing a Porch Apron

The apron, skirt, or latticework is a highly visible and functional porch feature. An apron keeps animals out from under the porch, while at the same time allowing air to circulate, preventing unwanted moisture buildup. Aprons typically are made up of a wood frame, surrounding either a simple lattice or a repetitive pattern of decorative sawn boards. Because the frame is so close to the ground, decay is common. Other causes of decay include plantings around the house that are growing too close to the latticework and improper water drainage. An apron may require partial or complete disassembly for proper repair. One or more of the apron frames should either be hinged or secured with turn buttons for easy access to under a porch for inspection and maintenance.

Replacement

When individual porch parts are deteriorated beyond the point of repair or missing altogether, replacement is necessary. To retain the historic character of the porch, the replacement parts should match the historic component as closely as possible in material, design, color, texture, and other qualities. To achieve this, existing evidence of the historic design, such as a baluster or column detail, or a tongue and groove floor design, should serve as a pattern for the replacement part. When replacing an element, it may provide a good opportunity to upgrade the wood to another species that is more decay resistant, or to one with a vertical grain that is more resistant to cupping or splintering. In limited cases, it may be appropriate to use a substitute material for the replacement material as long as it conveys a close visual match. Before replacing a deteriorated historic porch component, it is important to understand how it was constructed and installed, and what lead to its deterioration. If the replacement part does not sufficiently match the historic part, the character of the porch may be diminished, or even lost. If the cause of material failure is not addressed, the replacement will also fail.

Replacing Porch Floorboards

If a large section of the porch floorboards is deteriorated, the framing beneath may also be damaged and should be assessed. Replacing floorboards can often expand into repairing the structural sills, girders, and joists beneath. Complete floor replacement will likely require the removal of floorboards that are under structural posts or columns. This may necessitate the careful stabilizing in place or the removal of the posts or columns and the installation of temporary support for the roof structure. If the floor failure was caused by inferior wood, the wood quality can be improved at this time. However, the new wood flooring should match the existing in thickness, width, shape and texture. The slope of the floor should be maintained, or a slope may need to be created if none exists. A slope of ¼ inch per foot or greater, away from the house, is needed for adequate drainage. Boards are usually laid in the direction of the slope, sloping down to the outer edge of the floor.

Replacing Steps

Porch stairs receive heavy usage and are close to the ground, making them predictable candidates for deterioration. Stairs should be repaired or, if necessary, replaced by an experienced carpenter who understands the safety codes and is experienced in fabricating custom stair parts to match original detailing without depending only on store-bought parts.

shaft

The lower shaft of the porch columns had decayed as water wicked up through the end grain (top). The column shafts were repaired in place by cutting out the deteriorated wood and making repairs using epoxy consolidants and fillers. (bottom). The column bases were replaced. Photos: Paul Marlowe, Marlowe Restorations.

Replacing Column Plinths and Bases or Entire Columns

When plinths and bases are deteriorated beyond repair, they can be replaced without replacing the column shaft, which may still be in good condition or require only minor repairs at the bottom. Such replacement will involve temporary shoring for the roof. One-story columns and shafts are often more easily removed during this work, while taller columns are sometimes supported in place. If only a few plinths or bases are deteriorated, it is often economical to have new ones made of wood to match. If numerous plinths and bases are deteriorated, replacing with bases made of rot-resistant materials can make economic sense; however, care must be taken to ensure that all the visual qualities including design, size, shape, color and texture of the historic part are matched.

Entire columns may need to be replaced, but an owner should first consider all repair alternatives. Some contractors routinely recommend complete replacement of one or all columns due to the challenge of a clean repair (particularly with stave-built columns), or because they see the potential for more profit in complete replacement. If a contractor recommends complete replacement, other opinions should be sought to ensure repair is truly not feasible. Preserving the historic appearance of old columns is not the same as preserving historic columns.

Where a replacement turned or staved column is needed, a local millwork may be able to match the profile or pattern. Alternatively, the Internet is helpful in identifying potential sources of replacement columns that can match the appearance of the remaining ones.

wood

Replacement Materials

Wood

When selective replacement is necessary, the key to success is the selection of suitable wood. Dimensional stability, decay resistance and paint holding ability are wood characteristics that effect durability. Wood that expands and shrinks too much can cause paint to crack. Substances found naturally in certain kinds of wood repel fungi and insects that destroy wood. Selecting wood that is relatively stable and naturally decay resistant helps avoid problems.

The wood from trees cut one and two centuries ago was much different than most wood available today. The mature trees in older forests grew very slowly and, as a result, the annual growth rings were very close together. Today, trees grown by commercial companies for their lumber are fast growing so they can be harvested sooner. As a result, commercially farmed trees have annual growth rings much further apart, resulting in the cut lumber being less strong and decay resistant than older timber. These differences in quality are one of the reasons it makes sense to save old wood when possible.

Wood Selection: When choosing wood for repair and replacement work, the species, grade, grain and environmental impacts should be taken into consideration. This is especially applicable to historic porches because of their high exposure to the weather and vulnerability to decay. The best species are those with good natural resistance to decay, such as redwood, cypress, cedar or fir. A clear (knot free) grade of wood is best; however, if clear wood is not readily available or too expensive, a grade with small or tight knots is acceptable. Finally, the use of more stable vertical grain lumber is preferable to flat grain boards. Vertical grain lumber expands and contracts less with changes in moisture content, resulting in reduce warping and checks. Paint thus will hold better. The downside to using vertical grain boards is the cost, which tends to be as much as two to three times the price of flat grain lumber in the same grade and species. However, this expense is typically recovered through lower maintenance costs over the years. Thus, a decay-resistant, high-grade, vertical grain lumber is the best choice for the replacement of deteriorated porch elements, particularly flooring, stairs and milled elements such as balusters and moldings.

The best species to choose will vary depending on the region the house is located. For example, in the South, cypress is more available, making it the selection of choice in the region. Because of this wood’s relative ease with which a carpenter can shape it, cypress is a good choice for replacing brackets and trim boards on a porch. In contrast, vertical grain Douglas fir is less workable, but is a very good choice for the replacement of porch floorboards in most climates. Although Douglas fir is from the Northwest, it is generally available throughout the country. For most protected trim boards on porches, white pine is a good choice as it is easy to work and is moderately decay resistant, especially if the wood is back-primed before installation. Availability of any specific wood will change annually based on market supply and demand.

Chemically Treated Wood: Chemical wood preservative treatments are available to resist insect and fungal attack, but care should be taken to avoid using ones that may cause environmental or health risks. Borate preservatives can be applied to surfaces or injected to penetrate and protect the entire volume of the wood. Preservatives with zinc napthenate can be applied to the wood surface, where necessary, especially to protect hidden joinery and the end grains of wood. Water-repellants can also be used to help seal out moisture. Finally, primers and paints should be applied to both protect the wood and to maintain the historic character of the porch. Note that these treatments are different than those used on most pressure-treated wood, which is typically a plantation-grown southern pine of lower quality that is impregnated with chemicals. Pressure-treated lumber can be effective when used for hidden structural members like posts, joists and sills. However, because typical pressure-treated wood is very susceptible to the deterioration of checks, warping and splitting, especially when left unpainted, it is not a good substitute for the better quality wood that is needed for visible finish porch parts.

 

Stock Components

For over a century, prefabricated architectural parts have been sold through catalogues or at home improvement stores. Some companies still make generic, stock architectural components in the same general sizes and designs as those that were first manufactured. These components can be available in both wood and substitute materials. Thus, it may be possible to replace a historic stock component, such as an architectural grade column, with a new prefabricated column that matches the original. Unfortunately, these replacement parts are not designed to match the historic parts of any particular porch. Because traditionally there were many different porch elements, a wide range of styles and considerable regional variations, stock replacement parts available today are not often found to match what is needed in a specific porch repair project. When faced with deterioration of a few porch parts, all the historic material should not be removed in favor of a readily available stock design that does not match the historic appearance. The expressed goal may be to create a porch with a “consistent look,” but this approach diminishes the building’s historic character and authenticity.

Plastic and Composites

A variety of modern materials are marketed today as a substitute for wood. They are usually composite materials typically in the form of plastic resins, including vinyl (PVC), fiber-reinforced polymers and polyester resin. There are other products on the market as well, including medium density wood fiberboard and composite fiber-cement boards. The market is ever changing with the introduction of new synthetic materials and the re-formulation of existing ones. The more costly synthetic products tend to offer the best potential for matching historic features while offering good durability. This means that potential cost savings over new wood tends to be more long term than immediate. Such products generally are not carried in local home improvement stores but rather are available from building supply companies or direct through catalog sales.

The historical significance of a particular property and its porch influences decisions regarding possible use of substitute materials. In general, greater emphasis is placed on authenticity and material integrity when maintaining and repairing individually significant historic properties. However, a front porch that is repeated on rowhouses may be one of the defining characteristics of the historic district and thus of importance to the entire streetscape. So, too, can the location and appearance of a porch influence material decisions, as with, for example, a prominent front porch with ornate detailing as opposed to a small porch over a rear door.

Thus, when the historic porch contributes to the historic character of a building, the particular substitute material that is being considered should accurately match the appearance of the wooden feature being replaced. Composite materials that can be routed or shaped in the field to match specific pieces being replaced have greater potential for use in repairing a historic porch. Materials that cannot be shaped to match the visual appearance of the historic pieces being replaced usually are not suitable for use on historic buildings.

Substitute materials need to be finished to match the appearance of the historic elements being replaced. In nearly all cases, this means that the material should be painted, or where historically appropriate, stained as with some porch ceilings. While there are substitute materials being marketed as pre-finished with either a plain flat surface or generic wood-grain texture, select those that can be painted or stained in the field.

When a substitute material is to be used in conjunction with existing or new wood material, it is important to consider the differences in expansion and contraction due to temperature and moisture changes. Before making a decision, it is also important to understand how a particular substitute material will age, what its maintenance requirements are, and how the material will deteriorate. For example, sunlight can break down exposed surfaces of plastic resins, so painting the surfaces is needed just as with wood. Low and medium density plastic foam parts are easily damaged by abrasion and physical damage, exposing the interior foam to weathering.

Wood porches are just that, porches made out of wood, just as a brick houses are made of brick and cast-iron porches are made of cast-iron. The type of materials used historically in the construction of a building helps define its character. Limited use of substitute materials that closely match missing or deteriorated features may not endanger this historic character, but wholesale replacement with substitute materials usually will.

 

Considerations for Contemporary Alterations

Enclosures

A porch

This old porch enclosure, located on the back side of a house, has acquired significance over time and is remarkable both in the appropriateness of its detailing for use by others today, as well as its high degree of maintenance. The enclosure is set behind the columns; the balustrade has been retained; and the light divisions and the size of the glass panes echo that of the windows above. Within each bay there are two well-crafted, inward swinging doors, providing for greater seasonal use of the porch. Photos: Charles Fisher.

Much of the character of a historic open porch is clearly its openness. Therefore, in most cases, a historic open porch should not be enclosed. If a porch enclosure is being considered, its significance and location—as well as the nature of the planned enclosure—play key roles in whether it can be done without changing the porch’s and building’s historic character. While it is almost never appropriate to enclose a front porch on a historic building to create interior space, enclosing a less prominent porch on a less visible elevation could have less impact. In addition, an enclosure should retain as many of the historic porch features as possible.

Insect Screening and Awnings

Traditionally, the seasonal use of porches was extended with screens and awnings. Screened porches have been popular since the advent of inexpensive and durable wire insect screening in late 1800s. Screens were often set unobtrusively behind railings and columns so the decorative components of the porch remained prominent and visible. Since screens can be damaged easily, the screening material was often set in slender, easy to repair, removable wood frames that could be installed during the warmer months, and stored in the winter. When screening a porch today, this historic precedent is recommended. Screened panels should have minimal wood framework painted either to match the porch or in a darker color to make the framing less visible. Decisions on whether screens should be installed inside the porch railings and posts, between the posts, or on the outside will depend on local traditions and on the design of the porch and trim. Screen doors on porches should be sized to fit proportionately with the porch, made of wood, and hung to swing out so insects are not brought inside with use.

Awnings, drop curtains, and valances were common porch accessories during the nineteenth and well into the twentieth centuries. Both functional and decorative, these canvas features helped shield porches from the sun’s direct rays, while their colorful stripes embellished and complemented the house’s exterior. Some awnings were fixed in place; others were of a roller assembly that allowed owners to easily lower or retract the awning, depending on weather conditions.

Today, modern solution-dyed acrylic fabrics—materials that resemble, but are more durable than canvas—are often used on porch awnings and drop curtains. When new awnings are installed on a historic porch, the selected awning should be appropriate in shape, material, size and color. Care should be used not to damage existing historic porch features such as columns or cornices.

Temporary Enclosures

Temporary enclosures allow a porch to be used in colder months while not permanently altering its appearance. In fact some have become historic features of buildings. Particularly in New England, there is a continuing tradition of installing relatively substantial glass and wood panels on porches during the winter, especially around an entrance door. These tended to have small divided lights. Sometimes porches were fully enclosed with a divided light glass door for entry, creating an enclosed vestibule that reduced the amount of cold air entering the house when the door was opened. Others consisted of simple sidewalls perpendicular to an existing entrance door, serving as a windbreak. Such enclosures were generally removed in the spring.

In recent years, some porches have been enclosed during the winter with plastic sheeting (polyvinyl) for perceived energy conservation or for creation of an enclosed space. Such a treatment generally diminishes a building’s historic character and is not recommended for highly visible porches.

oldporch

Particularly in New England, there is a cold weather tradition of installing temporary glass and wood panels at entrance doors, thereby creating an enclosed vestibule. These enclosures with their small divided lights were generally removed in the spring. Photo: John Leeke.

New Permanent Enclosures

Enclosure of a historic porch can result in significant changes in the appearance and character of the building. When considering the possible enclosure of a porch, a number of questions and concerns should be successfully addressed.

Is the porch on a significant elevation of the building? A porch on a prominent elevation was there to be seen and its open qualities are visually important. Enclosing such a space should be avoided.

aoldporch

The enclosure of a prominent porch can dramatically change the historic character of a building. The L-shaped porch on this 1896 Shingle-style New England residence was later enclosed with aluminum windows and screens. Recent owners elected to reopen the historic porch. Among the other work, it was necessary to correct structural damage, as with this post, where beneath the wood casing carpenter ants had done serious damage. In reopening the porch, the historic character of the residence has been brought back and the traditional use of the porch is once again enjoyed. Photos: Mark Landry, Landmark Services.

Is the enclosure necessary?An enclosure will undoubtedly change the porch as a historic feature and may result in damage or loss of historic materials. Depending on the significance of the porch and the nature of the building, a new porch enclosure may also change the historic character of the building. Consideration should be given to alternate solutions such as recapturing underutilized space in an attic or basement .

Is the porch a highly distinctive feature of the building? Even porches on secondary and rear elevations can be distinctive, such as a two-story porch on the side ell of a farmhouse. Porches ornamented with decorative trim that embellishes the house can also be distinctive. Enclosing these features should also be avoided whenever possible.

Is the porch a feature repeated on a row of buildings in a historic district?Open front porches on a block of row houses can be not only important to an individual building but can also make up a significant feature of the streetscape. Enclosing such a porch usually is inappropriate even if a porch on an adjacent building already has been enclosed.

Will the proposed enclosure encompass the entire porch? History has shown that the enclosure of a portion of a porch on a secondary elevation does not always alter the character of a building. In the past as indoor plumbing was introduced to old buildings, the partial enclosure of a one or two-story porch on a secondary elevation was a convenient means of providing new bathroom space while limiting disruption to the building’s interior. Since early bathrooms were traditionally small in size, most of the existing porch could be retained as open space. It was common to create new walls set either between columns or behind them, since the columns usually served a structural as well as decorative purpose. Where sleeping porches with full-length louver shutters were present, the new wall could simply be set behind and the shutters retained and fixed in place. In both cases the resulting effect minimized the impact of the partial enclosure on the appearance of the building. This also provides us with an approach that may be appropriate for a particular project today.

Will the enclosure result in the loss of considerable historic fabric? Unless the historic porch is so deteriorated that it is beyond repair, any consideration of enclosing all or part of a porch should incorporate retention of historic fabric. This may mean that the existing structural system needs to be augmented but generally not replaced. Distinctive features such as columns, brackets and balustrades should be retained and the new wall set behind them.

Is the foundation adequate for the enclosure of the porch and the new use of the space? Porches were often built on simple posts or piers, some with only minimum footings. Such structural supports may be inadequate to carry the added load of the proposed changes and the typical low space beneath a first floor porch may make installing a new porch foundation difficult and expensive. Such installations may result also in an extensive loss of historic fabric.

How will the proposed enclosure be viewed from the outside once the interior space is furnished? One of the approaches to enclosing a porch is to utilize near full glazing set behind existing columns in an attempt to retain a feeling of transparency. Whether such a treatment is successful depends on how it will look once it is constructed and how will the appearance on the outside be impacted by interior lighting, mechanical systems and furnishings. The traditional use of plantings and porch awnings for shade also provided extended privacy. If historically appropriate, an existing or new awning and plantings may help to reduce the impact of a porch enclosure on a secondary but visible elevation.

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A traditional technique of porch enclosures still used today involves the insertion in each column bay of one or more glass enclosures set in wood frames . This enclosure is properly set back an entire porch bay from the front of the house and utilizes traditional light divisions and wood frames. The balustrade, added here for illustration purposes, shows the importance of retaining this linear feature within the enclosed bays. Photo: Charles Fisher.

Is the design of the proposed porch enclosure in keeping with the historic character of the building? Where the enclosure of all or part of a historic porch is appropriate, the selection of a compatible design and materials is important. Windows, doors, and wall material selection, along with how the new infill fits within the existing porch, are all factors to consider. A traditional technique of porch enclosures still used today involves the insertion in each column bay of one or more glass enclosures set in wood frames. The enclosures are located between or behind the columns, depending upon the nature of the porch, and mimic the pattern or size of glass panes found in historic windows on the building (Figure 15). An alternate treatment involves the use of much larger sheets of clear, non-reflective glass recessed behind the porch supports, balustrade and railing. This more contemporary treatment may be appropriate, depending upon the historic character of the building, location of the porch, and other factors. Windows, doors, and wall material selection, along with how the new infill fits within the existing porch, are all factors to consider.


Keeping Your Historic Home Cool in Summer

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KEEPING YOUR HISTORIC HOME COOL IN SUMMER is an essential part of living comfortably today. But, how was it done in the past, and what can we do now? We’ve outlined the history and applicable steps for you. 

 

1880’s photo of a British home in India. Image source: Wikipedia’s entry on Punkahs

 

Historic Cooling and Passive Cooling

Older buildings (primarily those built prior to the mid-twentieth century) were built to be energy efficient and are the quintessence of passive cooling. Fuel was not easy to obtain or manage and it was not cheap. Many people today are surprised to learn that the biggest energy usage has been attributed to buildings built between the 1950’s-1970’s, according to GSA. Below are several features and methods used in the past that you can still successfully use today:

Homes built between the 1950’s-1970’s have been proven to use more energy than buildings before that time.

 

Cross Ventilation. Cross ventilation was frequently used. Cross ventilation refers to a passive way of supplying air to, and removing air from, an interior as a result of pressure differences from natural forces. This requires one opening for air to come in, and another for air to go out. Windows – particularly double -hung – are one way of accessing these natural forces. Open a lower window on the cooler side of the home, and an upper window on the warmer side of the home to be most effective. Tall, single-hung windows are also appropriate for allowing more air into the home. Opening as many windows (and doors and hallways) as possible will multiply the benefits. Other features that aid this natural cooling process include door and window transoms, undercut doors, window and door screens, louvered shutters, and shotgun and dogtrot/center hall-style architecture (both of which have windows or hallways front to back or side-to-side to allow for natural airflow).

The image above is of the John Looney House, a classic dogtrot-style home, attributed to photographer Chris (last name not listed), as found on the Wikipedia page on Natural Ventilation. 

 

Thermal Mass. Thermal mass – a building materials’ ability to store heat – can also play a significant role in passive cooling. A house with thick (especially stone-based) walls can act as a conduit for passive cooling via thermal mass, if nighttime temperature is cool enough. Ideally, the building/wall material will cool overnight, allowing for cooler daytime temperatures because it will only slowly warm over the course of the day (and release that warmth at night). 

 

The image above of a stone mason is by flickr user diamondmountain, as found on the Wikipedia page on Masonry. 

 

Shutters. Louvered shutters (those that are constructed with overlapping uniform slats of wood set into a frame) allowed air circulation and privacy. They allow for air flow while blocking direct sunlight and heat.

 

 

 

 

 

 

 

 

The image above is of a louvered shutter we built for the Hampton National Historic Site. 

 

Porches and Awnings. Porches and awnings both act as blocks from solar radiation, resulting in cooler internal temperature. “Sleeping” porches to sleep outside during warmer summer months (popular in the late Victorian and Edwardian periods) were another way to enjoy a cooler experience. 

 

 

 

 

 

 

The image above is of the porch at the historic Harris-Cameron Mansion following Keperling Preservation Service’s porch restoration. 

 

Shade Landscaping. Shade trees are an obvious aid for a cooler home. Shrubs, bushes, and groundcover are also beneficial; they can provide shade as well as absorb heat radiation and cool the air prior to it reaching your home (unlike a paved yard-space which is more likely to reflect heat). These plants can also shade existing pavement to decrease heat.               

 

The image above is by Arno Senoner on Unsplash.

 

Other Methods. Homeowners of the past also employed other practical ways to cool their homes. According to an article from New Orleans Architecture Tours, homeowners modified interior design and decoration by exchanging heavier draperies for light linens and lace (which could double as window screens). Thick rugs could be replaced with grass mats. Furniture was covered by linen or cotton. They also adjusted food preparation and meal location; preparing foods with minimal cooking to avoid heating the home unnecessarily, and having more picnic meals outdoors. 

 

 

 

Image of the painting “Ready for the Ball” by artist Sophie Anderson, from the Wikipedia entry on Hand fan. 

 

How to Cool Your Historic Home Today

There may be no need to reinvent the wheel. If you are lucky enough to own a historic home, particularly one whose old features are intact, a practical preservation method would be to use one or all of the time-tested passive cooling methods noted above. This will not only honor your home’s heritage and historic fabric, it will also save you money over the long-term, and benefit the environment. However, we acknowledge that practically-speaking, sometimes passive cooling alone is not sufficient. Below are several modern options that can effectively cool your home and simultaneously have minimal impact on the integrity of your home’s historic fabric: 

Time-tested passive cooling methods can save modern homeowners money and be energy efficient.

 

Window and Portable Units. These are a classic, generally economical option, though there are cautions for historical homes. Window units may not easily fit into old windows due to size differences and inconsistency in some older windows. They also put significant pressure on sills and walls due to their weight. The water drips often created by the cooling system can also cause damage to the window and surrounding walls. Portable units can also sometimes leak, causing damage to historic floors. 

Targeted Cooling. Mini-split systems are a ductless, targeted form of heating and cooling. The indoor unit is mounted to the ceiling or wall and the cooled refrigerant is pumped in via refrigerant lines that run to the outdoor unit. These may be ideal for difficult-to-cool areas of the home, particularly additions or enclosed rooms that do not have ductowork. However, beware that they require drilling through the wall of your home for installation; once this is done, it is hard to undo. Further, these are not low profile, so visually, they disrupt the flow of a historic interior and exterior. 

High-Velocity Cooling. SpacePak and the UNICO system are high-velocity/low impact systems. They work similarly to central air, but are about 1/10 the size of a traditional central air system. Both require ducts, but they are small and the vents are minimally-intrusive. They are generally installed in attics/upper floors to allow cooler air to drop down. These are less disruptive, more visually-seamless options than the aforementioned cooling systems so they are better at maintaining the integrity of a home’s historic fabric, and frequently recommended by preservation contractors. Listen to our podcast with UNICO here.

 

IN SUMMARY:

There are several passive and active options for cooling your historic home. Arm yourself with knowledge before you decide what options are best for your home and your budget. 

 

For further resources and reading:

  • The EPA provides a detailed resource on energy efficiency in old homes here, and we also discuss energy efficiency here and here. 
  • Read about a historical landmark’s retrofitted HVAC here.
  • Learn more ways people stayed cool before air conditioning here and here.
  • Learn about the advent and evolution of air conditioning here.

Preservation Spotlight: Somerset Door & Column Company

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We recently completed a historic porch restoration at the Harris-Cameron mansion in Harrisburg, PA.  Part of the project involved fabricating new wood columns to match a few existing column we were salvaging.  For that work we turned to Somerset Door & Column Company.

Historic Porch Restoration

For over 100 years, Somerset Door & Column Company has manufactured architectural wood columns, doors, and entryways. Built on tradition and authenticity, Somerset Door & Column uses trained artisan craftsmen and kiln-dried domestic and imported hardwoods to create long-lasting, high-quality custom doors and columns. While some manufacturers outsource parts of their production process, Somerset maintains complete control over the quality of their production process by fabricating everything on-site at their facilities.

We had previously worked with Somerset Door & Column on another historic porch restoration we did in Staten Island and knew their quality of work was commendable.  Chuck is picky about the vendors and contractors we work with and he gives Somerset a solid two thumbs up.

“There isn’t anything they can’t do”, he says.

 

 

John Harris-Simon Cameron Mansion, Harrisburg, PA

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History of the Harris-Cameron Mansion in Harrisburg, PA

John Harris Homestead

The Original Harris Homestead

In the early 1700’s, Harrisburg’s founder John Harris Sr. immigrated to the area from Yorkshire, England after receiving a land grant.  When he first arrived, Harris Sr. built a homestead on the bank of the Susquehanna River and established a trading post, and then a successful ferry business that would funnel much of the Scottish, irish, and German immigrants west for over fifty years.  Known for his fair dealings and good relationship with local Native Americans, Harris Sr.’s also facilitated successful relationships between new settlers and the local Native American population.

After Harris Sr. died in 1748, John Harris Jr. inherited the homestead and business and continued the family legacy of good relationships with local Native Americans – during the French and Indian War two notable “council fires” were held at the Harris home for talks between the Indian Nations, local governing officials, and British representatives.

Harris-Cameron Mansion Today

Harris-Cameron Mansion Today

In 1766, after the French and Indian War ended, Harris Jr. decided it was time for a more substantial house for the family.  Tired of evacuating their current homestead whenever the river flooded, Harris Jr. chose the current site of the mansion after observing that even during the worst flooding, the river had never reached the top of the rise in the ground the mansion sits on.

Originally constructed in the Georgian style of architecture using locally quarried limestone, the house had a total of eight owners over the years and each made changes to the house.  In the early 1800’s a rear wing was added to the original mansion, and in 1863 the house underwent significant changes when Simon Cameron (seven-time U.S. Senator, President Lincoln’s first Secretary of War, and former Ambassador to Russia) purchased the house.

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“Having made an offer of $8,000 for the Harris Mansion, Cameron left for Russia. He traveled throughout Europe and stopped in England, France, Italy, and the German states. While making his way to Russia, Cameron was shopping for furnishings for his new house. In the parlor are two 14-foot-tall (4.3 m) pier mirrors, as well as mirrors above the fireplaces that came from France. The fireplace mantles are hand-carved Italian marble, and the alcove window glass is from Bavaria.

Cameron disliked being politically isolated in Russia, so he returned to the United States and resigned the post in 1863. After finalizing the purchase of the house, Cameron set out to convert it to a grand Victorian mansion in the Italianate style. He hoped it would be suitably impressive to his business and political associates. Cameron added a solarium, walkway, butler’s pantry, and grand staircase. He also had the floor lowered three feet into the basement in the front section of the house, because the 11-foot ceilings in the parlor could not accommodate his new 14-foot mirrors.”

-Wikipedia entry on the Simon Cameron House

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In the early 1900’s, Cameron’s grandson Richard Haldeman, the last of the Cameron family to live in the home, made more changes when he redecorated, modernized the mansion, and added the West Alcove to the house.  When he died, his sister donated the house and other family items to the  Historical Society of Dauphin County.

 

Historic Porch Restoration at the Harris-Cameron Mansion

In 2013, we were contracted to repair and restore the Victorian style porch.  The porch was in disrepair – the brick piers that supported the floor were falling apart, the corner of the roof system was completely rotted out, there was a vermin infestation underneath the porch that was compromising the structural stability of the porch.  In addition to the disrepair, there had been alterations to the style of the porch over the years and the Historical Society wanted the porch both repaired and returned to its original style.

The major contributing problem that needed to be addressed was that the spouting and gutters weren’t emptying water away from the porch because the porch had settled and moved.  There had been attempts to repair the porch to keep it from settling, but they didn’t last or weren’t correct repairs – at one point someone had actually strapped the porch to the stone house wall to try and keep it from sliding by putting metal gussets at the spots where the framing was coming apart and separating at the corners.  But no one had ever addressed the problems with the porch foundation which was causing the settling and moving.

For the project, we started with demolition – a very careful demolition.  There were a lot of important materials on the porch that we encased in plywood boxes to protect them during the demolition process.  The stone where George Washington stood in 1780…  An original sandstone step that was already cracked…  All the important elements of the porch were carefully protected to prevent any damage during the construction process.

After demolition, we addressed the foundation issues by pouring five concrete footers at each of the column locations since that is where the porch had been failing and where the roof was sagging.  There had been brick piers there that we rebuilt with a combining of the existing brick and salvaged brick we purchased to match, but there had never been a frost-line footer under the porch.

All of the existing trim, arches, columns, floor, and skirtboard that could be salvaged were brought back to our shop where we removed the lead paint, repaired the pieces where necessary, fabricated new pieces as needed to match existing pieces, and reassembled them.  We fabricated new columns and elliptical arches from mahogany wood to match the style of the existing columns and arches that were re-used.  Several columns still had the original trim that we could copy when turning all of the capitals and column pieces.

We were able to level and save the porch roof by putting a large, carrier beam on the front of it.  We also put all of the columns and capitals on metal pipes before we installed them so we could put the columns on without cutting them in half.

The flooring and ceiling also needed repaired and replaced at some spots.  The original wood was vertical fir, but using fir would have been tremendously costly.  Mahogany was chosen instead for its availability and its cost.  While mahogany would not have been used as an exterior wood when the porch was originally built, it is an acceptable replacement material in preservation standards and actually holds up better as an exterior wood than many original woods.

This project was a collaborative effort between Richard Gribble at Murphy & Dittenhafer Architects, McCoy Brothers, and the Historical Society of Dauphin County, and us.

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Coffee Break RECAP: July Questions and Answers Edition

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COFFEE BREAK RECAP – This month’s “coffee break” video recap focuses on various questions and answers related to historic buildings, preservation and restoration. Watch below.

 

VIDEO SUMMARY:

  • Focus: Questions and answers
  • Questions: What is an appropriate Colonial fireplace design? How do you tackle mold on siding? Does an asymmetrical façade/porch on a duplex imply that modifications were made? What are plantation shutters vs. louvered shutters?
  • Solutions: Danielle and Jonathan discussed answers to the questions and provided other information:
       

    1. COLONIAL FIREPLACE ANSWER – know your period style
      -Consider design in keeping with your time period of choice. In this case, the home dates to the mid-1700s, but the room in which the fireplace in question is located includes updates from the 1950s and the 1970s. Knowing these approximate time periods and style differences is an important starting point when deciding what to preserve or restore. This information suggests that restoring the fireplace to fit the home’s original build period of the Colonial era is the best way to create a seamless aesthetic. Danielle suggests referencing the book Early Domestic Architecture of Pennsylvania by Eleanor Raymond for more ideas appropriate to the time period.
    2. MANAGING MOLD ON SIDING ANSWER – sometimes the simplest answer is the best
      -Consider simple options first. In the example case, a barn was converted into a house. A few years ago they put pine siding onto it. Unfortunately, it is plagued by mold and mildew and typical treatments were not working. However, OxiClean did an effective job as a spot-treatment, and the homeowners planned to follow through on the entire project by hiring a power washing company who planned to use bleach in the water. Jonathan suggested the addition of a soft bristle brush to extend the work of the power washing. 
    3. ASYMMETRICAL FACADE ON DUPLEX ANSWER – asymmetry may suggest updates
      -Notable asymmetry on an otherwise symmetrical/mirror image duplex often indicates modifications were made to the original design. In this case, as you’ll also see in our previous video, the historic duplex’s changes to the porch on the left side reveals visual clues indicated it was a later update.
    4. PLANTATION VS. LOUVERED SHUTTERS ANSWER – same style, few differences
      -These styles are essentially the same with minor differences. Plantation shutters are a type of louvered shutter, typical of large plantation homes of the south. Jonathan and Danielle discuss the main differences between the types of louvered shutters. 

IF YOU WANT TO DO SOMETHING THAT CAN BE UNDONE, FEEL FREE TO DO IT –
otherwise issues like some of those above will be significant in the future.

 

BONUS:

  • Watch to the end of the video to see our guest viewer’s home’s historic fabric and unique historical features!

Kitchens: A Study in Innovation

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KITCHENS – today, these rooms are so essential to what most people see in a desirable home, that they can be one of the main determinants of whether or not to buy a particular house. These rooms generally serve not only as showplaces, but also as a central socializing spot. However, this was not always the case. For most of history, kitchens were plain, utilitarian, and the domain of servants or homemakers, not something to be shown off to guests, or for the family to spend much time in. Similar to bathrooms, kitchens have evolved tremendously over time, particularly the last 200 years. Awareness of this evolution can help you with your historic home’s kitchen.

Kitchen work as trade and occupation – 1874 lithograph by Louis Prang. Image Source:  Library of Congress. 

 

Kitchens: History and Evolution

Kitchens have existed in some form since ancient times. Early complex societies utilized open fire pits or ovens made of natural materials such as clay or brick, and these usually were located in open spaces to allow smoke to escape. Most people had kitchen prep and storage space in communal spaces, while wealthier abodes had separate spaces just for those needs, and they also sometimes had enclosed kitchens with chimneys to release smoke. (Source). 

Ancient kitchens and cooking spaces were considered work spaces as opposed to entertaining spaces (Source).

Medieval cooking areas showed little change from their predecessors, and in many cases were even less sophisticated. They also used open pits or spaces in buildings where fires could be used to cook food. Wealthier families had separate rooms for food prep and storage as well as cooking. The later stages of this period included more fireplaces with chimneys to diffuse smoke out of dwellings, and increased use of pots and pans. These innovations increased the comfort in the home due to decreased smoke and smells (Source). 

The late Medieval period in Europe saw more class separation based on kitchen location; in wealthy homes, servants were relegated to these smokey, smelly areas and further removed from the main living space (Source).

Later in the Renaissance, other sources of heating were created, so kitchens could be even further removed from main living areas (Source). 

Wealthy homeowners of the Renaissance period began to keep kitchens in separate buildings from the main home, creating even more social class separation from servants (Source).

Colonial kitchens in America were sometimes included as part of the main dwelling, although sometimes – particularly in hot southern areas – separate summer kitchens existed to prevent overheating homes in summer months, with the added benefit of decreasing risk of fire to the homes, and decreasing cooking smells in the homes. These kitchens were dominated by large fireplaces with hearths (Source).

Colonial cooks made efforts to maintain their fires overnight, covering the hot coals and stoking them again in the morning, easing their labor (Source). 

The Federal period saw the invention of the Rumford stove in Britain in 1800, which was the first stove to heat multiple things from a single source of fire. Kitchens were still separate from main living areas – whether servants were present or not – as these spaces were still not considered appropriate for entertaining guests due to their less aesthetically-pleasing, utilitarian nature (Source).

In the 1830s, the Oberlin Cast-Iron Stove was created, and was more compact than stoves before it (Source). 

The Victorian Period encompassed a significant uptick in technological advances. Stoves continued to evolve significantly, and eventually were powered by gas, resulting in cleaner kitchens and cities, (compared to their wood- and coal-burning predecessors). These stoves also allowed faster cook times. The addition of  water pipes to homes (initially for waste removal) also allowed for easier access to water for cooking and cleaning purposes (Source). 

Late 19th century, middle-class homes benefited from technological innovations to make kitchens cleaner, and did not have the same “class separation” as the wealthy did from servants; therefore, kitchens could be more closely placed to living spaces, and were presentable enough to entertain guests, resulting in tables and chairs being added to the kitchen (Source). 

Increased innovations by the early twentieth century meant diverse cooking abilities. This increased the need for food and utensil storage (Source).

In 1899, the Hoosier Manufacturing Company met the need for increased kitchen storage with the invention of the state-of-the-art Hoosier Cabinet (Source). 

Technological and industrial advancements encouraged more time-saving, including mass-production. This impacted kitchens, resulting in a focus on ergonomic efficiency: designing the environment to fit the person rather than the other way around (Source). 

Austria’s first female architect, Margarete Schütte-Lihotzky, pioneered a fitted kitchen – the “Frankfurt Kitchen” – in the name of ergonomic efficiency in 1926. It included prefabricated cabinets and counter tops (Source). 

Ergonomic design and fitted kitchens continued to be popular in the wartime era of the 1930s and 1940s. Continued innovation led to increased technology in appliances and flooring – local Armstrong‘s linoleum floors became popular (Source). 

The 1960s and 1970s witnessed a renewed interest in and veneration for homecooking and cookware and utensils were upgraded and were popular items for the home – kitchens became more about entertaining guests and showing off culinary skills (Source).

The 1980s brought open kitchen spaces, and even more kitchen innovation. These continued innovations in technology and kitchen design, as well as kitchens’ use as entertainment and even living space and hubs only grow as we evolve into the 21st century. 

 

Kitchens in Your Historic Home

As with bathrooms, it is a rare thing indeed to find an intact kitchen in a historic home. In fact, it might be rarer to find a kitchen than bathroom, as kitchens are often most subject to trends (it’s much less desirable to toil over a hearth when you can use an electric or gas stove and oven). Depending on the time period your historic kitchen dates from, the amount of work to be done varies. If, for instance,  you are fortunate enough to have an unfitted kitchen, including some of its basic elements such as a sink, you may have an easier time updating it to your liking as there is less material to remove, and you can add modern updates as you like. However, if you have a fitted kitchen from later eras, and want to update it significantly or restore it to a much earlier time, this will create much more work for your or your contractor. Below are a combination of suggestions and solutions from various resources, including Restoring Your Historic House by Scott T. Hanson. 

Period kitchens should be approached with sensitivity to their or the home’s period of significance.

 

Restoring an old kitchen. In the rare case that you find an intact kitchen, the same general rules of restoration, preservation, and rehabilitation apply. Consider approaching the kitchen with sensitivity to its time period. Depending on the era, this may mean rehabilitating it as a utilitarian workspace (at least in form if not function). If extra space is needed, it is best to avoid expanding into a formal room of the house, so as to avoid significant alterations to the historic footprint, and consider expanding into an existing pantry or mudroom, or consider a sympathetic addition, as suggested by CJ Hurley Century Arts. If permanent features need to be replaced, remember to replace in-kind. Also, if you need to update plumbing and electric, refer to our post on bathrooms for similar information. 

Creating a new kitchen (period appropriate or not). Given kitchens’ vulnerability to trends, there is a greater likelihood that if you want a period kitchen you will have to create – or recreate – one. As Hanson notes (p. 130), consider first the interior elements of the home that represent its general age and style; if the more formal rooms differ from the less formal rooms, consider that the kitchen should emulate the less formal rooms, as would have been the case in much older homes.  

The next decision to make is whether you want to have a period appropriate kitchen or not. To achieve a period feel (with modern innovations), Hanson (p. 130-131) recommends a “hybrid approach” including modern pieces of furniture but excluding continuous built-in counter tops throughout the room, and also consider incorporating a period-appropriate pantry. it’s also beneficial to consider appliances and utensils that are period-appropriate and are either antique, reproduction, or modified (e.g., a historic-looking cabinet hiding a modern refrigerator).  Reference quality resources to emulate a true period feel. It is essential to reference good resources for a period kitchen. Access to primary sources are more abundant today with the internet, and you can find thousands of period kitchen images on the Library of Congress site, as well as in copies of housekeeping books from bygone eras (which often include plans for kitchens and pantries). Historic house museums can also offer primary source inspiration. Quality secondary sources include books like Restoring Your Historic House, and websites like Old House Online and Period Homes.

Hanson (p. 133) adds that kitchens (and baths) are rooms where you may ignore the home’s “period of significance” and still evoke a period feel, simply due to the fact that what is historic to us in a kitchen (or bathroom) was a modern update in the history of the house. If the house was never updated with a modern kitchen, you may use an educated guess as to what might have been added, utilizing knowledge of the evolution of kitchens and choosing a time when one would likely have been incorporated. 

Consideration of cabinetry used is also important. Custom-work tends to look more authentic, but is expensive. Hanson (p. 134) notes that a good design can make modular cabinets look custom. When installing these things, Hanson (p. 135) also recommends making sure measurement is accurate, as he states that corners are “often out of square” and floors may not be level. Having the store, kitchen center, or other professional do the measuring for you will decrease likelihood of incurred expenses if you measure incorrectly yourself. 

Consider adjustments when marrying old with new. For example, old windows may be too low to accommodate the typical built-in cabinets and counter tops; a solution to this issue is to allow a window well behind a counter top to accommodate the window, or build custom cabinets below the window level.  Hanson (p. 135) adds that modern cabinets and counter tops’ standard sizes may not match that of historical ones, and adjustments may need to be made to give them a period feel. 

 

IN SUMMARY: 

Kitchens have come a long way over the centuries, evolving from smokey, smelly, utilitarian spaces that also served to separate different classes of people, to clean, modern showpieces that are the hub of homes regardless of socioeconomic status. Even with modern sensibilities and trends, period kitchens deserve special consideration in period homes, and fortunately the old can be married with the new while maintaining an appropriate period feel. 

 

For further resources and reading: 

  • For restoring or creating a period appropriate (or not) bathroom in your historic home, we recommend these books: Restoring Old Houses by Nigel Hutchins, and Restoring Your Historic House by Scott T. Hanson. 
  • For buying reproduction appliances or restoring originals: this site, and these sites.
  • For more information regarding historic foodways or to get involved with workshops in our region: this site and this site. 

 

In case you missed it, check out our similar post on another vulnerable room in historic homes: THE BATHROOM.

 

 

Bathrooms: A Necessary (Room) Discussion

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BATHROOMS – or whatever you call them, as they have many names – are a necessary part of our lives, but we often take them for granted. Bathrooms did not always exist as a dedicated room, and the conglomeration of fixtures and practices that occur in these rooms today, as well as the design of these rooms, are a result of many societal and technological changes. Understanding the history can help you better appreciate (or create) your own historic or period appropriate bathroom.


Illustration of early 20th century bathroom from the Standard Sanitary Manufacturing Company. Image Source: Wikipedia’s Entry on Bathroom.

 

Bathrooms: History and Evolution

Bathing and specific elimination practices (e.g., toileting) have been around in some form since humans have existed on Earth. However, more sophisticated practices – including devoted bath houses and use of bathtubs – began as early as 3000 B.C. in what is now Pakistan, with the Indus Valley Civilization, and continued with the early Greeks and Romans. In those times, people focused on purity but not necessarily health and hygiene, and water was seen as a cleansing element for spiritual and physical purposes. So powerful was the belief in water’s protective spiritual properties that communal baths were sometimes kept separate from domestic living spaces to protect the living spaces from evil spirits. The Romans especially valued bathing as a way to relax and revive themselves, as well as an outlet to commune with others. However, the wealthy also often had private bath spaces. (Source). 

The oldest-surviving bathtub dates to 1700 B.C. and was located in a palace in Crete. (Source).

In ancient times there were also some primitive flushing toilets, although many public toilets in Rome were anything but private and did not necessarily flush. (Source). 

In addition to limited private toilets, many ancient Romans were relegated to using primitive, communal items before the invention of toilet paper. (Source). 

In the Middle Ages, public bathhouses continued to be used, and soap first came into production. Other items such as combs, tweezers, and mouthwash were also in use. (Source). 

Contrary to popular belief, people in the Middle Ages valued bathing, particularly steam baths. Baths were generally public baths and men and women communed together; although, women covered their hair for “decency.” (Source). 

During the Renaissance, private bathrooms became more popular. However, fears increased about disease, associated with water, and bathing was discouraged in favor of focused washing. Clean linens were thought to be sufficient to pull toxins from, cleanse, and deodorize the body, and women during this time toiled over washing. (Source). 

In 1546, King Henry VIII ordered the closure of public bathhouses, as these – specifically, their water – were blamed for the 7 plagues that occurred in England over a 200-year span. (Source).

Public toilets were used by the lower classes in the Renaissance and often placed on bridges over rivers, the “sewage system” being that debris would float away in the river. In the countryside and in some private city homes privies existed in sheds or cellars, usually consisting of seats situated over cesspits. Portable chamber pots were the preferred means of elimination by the wealthy and royal, and were simply emptied into the streets. (Source). 

The first flush toilet was invented by Sir John Harrington in 1596, but was not widespread until nearly 3 decades later –  the wealthy and royal preferred chamber pots be brought to them, and not to walk to a room only for toileting as it would be considered immodest. (Source). 

By the 18th century, daily bathing was still uncommon. However, in England the wealthy were able to have taps put into their homes allowing for private bathing, thanks to a massive irrigation project. Otherwise, most of the bathroom rituals we use today were still done in the bedroom, which usually included a basin and washstand (and often a chamber pot). (Source). 

The shower was invented by William Feetham in 1767. (Source).

By the 19th century, houses were beginning to be designed around usefulness of each room. The discovery and dissemination of information about germs and hygiene was more widespread in Europe and America, and many homes of the middle and upper class had bathrooms – as bathing was considered necessary for good hygiene – while mass showers existed for the poor. The Industrial Revolution also facilitated  mechanization in the bathroom, including gas water heaters for hot-water production. (Source). 

The 19th century saw major changes in private bathrooms in the home, including flush toilets in the 1850’s, and the electric water heater in 1889. (Source). 

In the late 19th century more was discovered about infectious disease and bacteria, and previously wooden bathrooms transitioned to porcelain and enamel surfaces, with more exposed pipes that were “easier to clean,” tile and linoleum replaced wood floors, and drapery was significantly reduced, and this continued into the early 20th century. (Source). 

The late 19th and early 20th century’s concerns about disease also resulted in the introduction of second bathrooms – “powder rooms” – or half-baths often on the first floor, near the entrance, so delivery people could wash their hands and prevent bringing germs into the home. (Source). 

As the 20th century moved beyond the hygiene movement, and the public was exposed to two world wars, glamorized interiors featured in movies, and a greater increase in population and technological advancement, people were more interested in having fully-equipped bathrooms that served functional needs as well as offered respite. The growing middle class was also able to afford these luxuries with mass-production enabling affordable products. (Source). 

The 1950’s realized en suite bathrooms, as well as separate bathrooms for the children. (Source). 

As people have continued to associate bathrooms with comfort and escapism, the number of bathrooms per person in each household have steadily increased, and bathrooms continue to be an important part of each household. (Source). 

 

Bathrooms in Your Historic Home

If luck is on your side, you may acquire a historic home with a period bathroom still in place, although this is rare given that bathrooms (and kitchens) usually were the first “victims” of updates to historic homes, and are some of the most modified and modernized rooms. Depending on the old bathroom’s condition, there may be significant work to do. Because of the last few decades’ emphasis on college education and continued focus on mass-produced items that are generally not repairable and have short shelf-life, skilled labor and trades people have dwindled, so repair may be more difficult. However, increased demand for historic features has also resulted in more reproduction options available, many of which are up-to-code. Sometimes it is necessary or preferred to create a new bathroom, either modern or styled to a chosen time in the house’s history. Regardless, it is important to always remember that water is the enemy of a historic home, and any modern updates must account for this. Below are a combination of suggestions from Restoring Old Houses by Nigel Hutchins, and Restoring Your Historic House by Scott T. Hanson. 

It is important to remember that water is the enemy of historic homes, so all plumbing should be in good condition and well-maintained to prevent water disasters.

 

Restoring an old bathroom. General period plumbing knowledge is important in old bathrooms. Many old homes have extant period plumbing fixtures and these were designed to be repairable – just be sure they are adapted to meet modern codes and standards. A knowledgeable plumber and flexible code officer can be helpful with this. (Hanson, p. 374). Old plumbing fixtures and features should be examined for breaks and other damage and replaced with copper or plastic where necessary; return traps and vent stacks should be cleared; worn gaskets and washers should be replaced; and entire systems should be flushed and pressure checked (Hutchins, p. 179). Some shops and companies specialize in repair of such fixtures (Hanson, p. 375).

If something is missing, beyond repair, or simply cannot be adapted to meet modern code requirements, it is recommended that you look for antiques (often through salvage, but again these must be adapted to modern codes), or options among the many reproductions on the market. It is highly recommended you compare the quality of the originals to the reproductions, and buy as high quality as you can afford. This will more likely prevent failure and subsequent disaster from burst pipes (Hanson, p. 376; Hutchins, p. 178).

Rural residents have even more unique circumstances, including utilizing wells for water sources and septic tanks for waste disposal. Hutchins (p. 179) recommends that people in the countryside check their old wells for rotten covers, bacteria in the water, and how well they refill. Many old wells cannot accommodate modern needs and new wells must be dug, which are expensive – it is recommended a homeowner budgets accordingly.

Antique toilets also need to meet modern standards, even if they are antique. Hanson (p. 374) notes that some communities have strict water ordinances, and toilets from times past were designed to use much more water to flush (and thus fully clear the bowl) than is allowed by modern code. In some cases, an extant toilet can be grandfathered in. In other instances modifications to the tank such as stacked bricks or a tank liner can decrease water – Hanson warns, however, that because of the original design, this decreased water may not be sufficient to clear the bowl. High tank toilets are generally more successful because of the additional velocity they allow water when it travels from tank to toilet. 

Antique sinks also generally require modification to meet modern standards. Sometimes, antique sinks and counter tops simply need cleaning; marble sinks and counter tops can be cleaned with paint cleaner and steel wool, although deeper stains may require fine sandpaper and muriatic acid (Hutchins, p. 179). Hanson (p. 374-375). Problems usually stem from the size of drain holes and the spacing of faucet holes. An old sink that is missing the 2-hole drain stem can present a conundrum, as salvaged parts may be hard to come by, and it does not match modern pieces. Sink bowls of various materials may have these holes widened to accommodate modern needs. If the traditionally-separate hot and cold faucets are missing, reproductions can convert the hot and cold into one, and still visually represent the original time period.If a required overflow drain is missing, modifications can be made to retain the antique bowl; Hanson recommends connecting the bowl to the above top with a gap in between, and putting a modern bowl below to catch overflow. This of course should always be checked with local code enforcers.

Period tubs or showers can often be restored with epoxies – or homeowners can purchase “new” antiques and restore those, if needed (Hutchins, p. 179). Similar adjustments may need to be made to the plumbing parts as were noted for sinks, above. 

  •  

Creating a new bathroom (period appropriate or not). Hutchins (p. 178) provides several general plumbing points when creating a bathroom space. He indicates that plumbing should not be run on exterior walls because of insulation difficulties, and sufficient venting is necessary for plumbing. He also states that other considerations should be made if converting a non-bathroom into a bathroom. For example, one must consider if there is enough head room for a shower, if ceiling beams below (if on an upper floor) will be impacted by plumbing pipes, and if the room has wood features, how those features will be treated to protect them from moisture penetration. 

Laundry features should also be considered. Although not inherently part of a bathroom in most cases, Hanson (p. 377) also points out that given most modern private homes have laundry areas or rooms, and many of these are now being moved from the basement level to first floors, caution is warranted to protect historic interiors. For example, Hanson notes that typically-cheap hoses often result in burst pipes and indoor flooding disasters. These issues can be prevented – or at least mitigated – by replacing cheap hoses with high-quality woven stainless steel washer hoses, and installing overflow trays with drains for added protection, according to Hanson. 

 

IN SUMMARY: 

Modern people may be less modest than people of the past, but the bathroom and related activities can still be a taboo subject for some. For others, it’s simply taken for granted. But we must remember how essential bathrooms are to our physical and mental health, hygiene, and relaxation. As such, it’s important to treat and maintain these spaces well, particularly to protect the integrity of our historic homes. 

 

For further resources and reading: 

Stay tuned for a similar post on another vulnerable room in historic homes: THE KITCHEN.